SEVEN CIRCUMSTANCES

Book Reviews & Essays on Literature


Six rules for writing about AI set out at Worldcon 75

Quote from the film, Ex Machina.

AI, Artificial Intelligence, is the one element that many SF writers like to work into their stories, particularly robot-human interactions. The bad news is that this particular element is probably the hardest to get right and the furthest away from becoming reality. On the third day of Worldcon 75, which ended last week, authors Anthony Eichenlaub and S.B Divya, and research scientist and software engineer Greg Hullender, formerly of Amazon and Microsoft, poured icy cold water on the notion that human-like robots will populate the world any time soon. Continue reading


Readers set the critics right at Worldcon 75

On day 2 of Worldcon 75 in Helsinki, I finally got to have a word with one of the “insider” attendees, which provided me with more of an eye-opener than the presenter himself had done. As part of a session on Chinese Science Fiction (SF), Eero Suoranta (University of Helsinki, Finland) presented his Ph.D. Study, The Inadequacy of Enlightenment Rationality in Liu Cixin’s The Three-Body Problem. This was just after Prof. Mingwei Song had put forth his compelling arguments about making “the invisible” part of the real world. Continue reading


Mental-floss on a grand scale – Death’s End by Cixin Liu

It has been said that many authors seems to be unable to grasp or describe how big outer space is. So it takes a bold and visionary Science Fiction (SF) writer – and I mean “visionary” in the sense of being able to come up with a vision of a setting in outer space – to describe space in both scientifically acceptable and literarily pleasing ways. Some writers gloss over the whole thing – it’s just “big”, “enormous”, or “there”. Others try to think beyond the usual ways of describing it. So, how big is it? And does LIU Cixin get it right in his sweeping epic of a space opera novel, Death’s End? Continue reading