It has been said that many authors seems to be unable to grasp or describe how big outer space is. So it takes a bold and visionary Science Fiction (SF) writer – and I mean “visionary” in the sense of being able to come up with a vision of a setting in outer space – to describe space in both scientifically acceptable and literarily pleasing ways. Some writers gloss over the whole thing – it’s just “big”, “enormous”, or “there”. Others try to think beyond the usual ways of describing it. So, how big is it? And does LIU Cixin get it right in his sweeping epic of a space opera novel, Death’s End? Continue reading
You know the colour “octarine”? It’s the colour of magic, visible only to magicians and cats, a sparkly, glowing combination of yellowy-green and purple. I thought of octarine and the way it became a stand-out feature of Terry Pratchett’s Discworld Fantasy novels when I was visualizing the strange brown-purple-grey world, “Stittara”, that L.E. Modesitt, Jr., invented for his novel The One-Eyed Man.
If I can use one term to describe All the Birds in the Sky it would be “uneven”: uneven in tone – sometimes terse, sometimes gaspingly emotional; uneven in language use – careless, even jocular, in places, verbose or poetic in others; uneven in characterization – sometimes complex, sometimes flat, and uneven in the settings – like a mashup of the villages of Midsummer Murders, “Hogwarts” in Harry Potter and the house of the “Pied Piper” team in the TV series Silicon Valley. This novel is on the shortlist for the 2017 Hugo Awards which will be handed out at Worldcon 75 in Helsinki, Finland, in August 2017. In preparation for attending the event I am working through the shortlisted works to rank them. So this was No. 2. Continue reading
This novel is on the shortlist for the 2017 Hugo Awards which will be handed out at Worldcon 75 in Helsinki, Finland, in August 2017. I hope to be amongst the attendees at the conference, which is the oldest and biggest in the world for Science Fiction (SF). In preparation for that I am working through the shortlisted works in the categories of novels, novelettes, novellas and short stories. Reading the nominated novels has been an adventure so far since I do not know any of the authors, other than China Miéville. The first novel I tackled, A Closed and Common Orbit, by Becky Chambers, has been like a breath of fresh air. It seemed different from the established and well-regarded types of classical SF writing. It did one thing I have never experienced when reading a SF novel: it brought a lump to my throat. I almost cried. I actually, for once, felt for the characters. That is quite an achievement, considering that the characters are all AI machines, re-engineered humans or species of non-human sapient life forms. Continue reading
Sometimes a novel just flummoxes me. I have tried my best to get to grips with “J” by Howard Jacobson, which was shortlisted for the 2014 Man Booker Prize, but the novel made me feel vaguely worried and confused while I was reading it. That was probably the author’s intention, since those sort of feelings drove him to write it. It is set in a Britain of the near future, at a time after a calamitous global event. This event is called “WHAT HAPPENED, IF IT HAPPENED” or “Twitternacht” (with reference to “Kristallnacht” and Twitter.) As a result of this event, many people got killed, or were forced to move to other countries or back where they came from; everybody got given random, different names (oddly spelled), social media was banned and art was reduced to inoffensive, pleasing aesthetics so as not to arouse any extreme emotions ever again. The protagonists are “Kevern”, a carver of Welsh love spoons, and his lover, “Ailinn”. Continue reading
Ben H. Winters wrote the acclaimed, award-winning Science Fiction series, The Last Policeman. I called the hero of the series, “Detective Hank Palace”, “the Thinking Woman’s Crumpet” – and the detective in his latest novel Underground Airlines is another yummy crumpet. Like No. 3 in The Last Policeman trilogy, World of Trouble, Underground Airlines was also shortlisted for the Goodreads Choice Awards in the Science Fiction category, amongst other kudos. So one can safely say he knows how to write a hit and create really appealing, admirable protagonists. I was expecting something good, and was not disappointed; a polished, refined, sharp piece of alternative history writing which, due to its premise, is also a bugle call for the defence of democracy, freedom and the U.S. Constitution. Continue reading
The Heart Goes Last held no surprises for me. Dystopia set somewhere in the future? Check. All doomed to implode due to typical human weaknesses? Check. Clever advertising references and initially interesting, futuristic products? Check. Ordinary people up against the machines, that brings out the worst in them? Ditto. People stuck in a type of bubble or petri dish situation, every move recorded by Big Brother? Ditto again. Atwood’s latest vision of the future has been overtaken somewhat by developments in technology and many individual aspects have already been depicted in earlier novels and films. However, all the combined features of the dystopian world she has created make for an entertaining creation. I can definitely see this book being filmed, scene by scene. Atwood introduces the gated community, “Consilience”, and the associated prison, “Positron”, which are combined into a massive social experiment and into which a down-and-out couple wins access. This man-made, ostensibly pastoral “enclosed world” brings to mind WestWorld (the 1973 film and 2016 HBO series), and The Truman Show (1998). It’s definitely been done, and with more panache, but there are a few clever ideas in the novel too, like those creepy, blue, knitted teddy-bears. Other familiar sci-fi “tropes” in the novel include: