It has been said that many authors seems to be unable to grasp or describe how big outer space is. So it takes a bold and visionary Science Fiction (SF) writer – and I mean “visionary” in the sense of being able to come up with a vision of a setting in outer space – to describe space in both scientifically acceptable and literarily pleasing ways. Some writers gloss over the whole thing – it’s just “big”, “enormous”, or “there”. Others try to think beyond the usual ways of describing it. So, how big is it? And does LIU Cixin get it right in his sweeping epic of a space opera novel, Death’s End? Continue reading
Sci-Fi and Fantasy writers often present original concepts in their novels, but Cory Doctorow and Charles Stross not only invented new ideas for The Rapture of the Nerds, but an entire new lexicon. It is missing a glossary, but if you’re not the kind of reader who immediately needs to make sense of a book, then you can just let all those un-English words and speculative notions roll over you, and eventually something will come out in the wash. I had to read it three times to get the gist of it, but a couple of new words stuck in my head. One was “meatsuit” – the bodies that humans are in: as much as one would like information and even personalities to be in code and uploaded to the Cloud somewhere, we all live in meatsuits and if we leave the meatsuit we die. At least, that is what one would suppose. Continue reading
You know the colour “octarine”? It’s the colour of magic, visible only to magicians and cats, a sparkly, glowing combination of yellowy-green and purple. I thought of octarine and the way it became a stand-out feature of Terry Pratchett’s Discworld Fantasy novels when I was visualizing the strange brown-purple-grey world, “Stittara”, that L.E. Modesitt, Jr., invented for his novel The One-Eyed Man.
If I can use one term to describe All the Birds in the Sky it would be “uneven”: uneven in tone – sometimes terse, sometimes gaspingly emotional; uneven in language use – careless, even jocular, in places, verbose or poetic in others; uneven in characterization – sometimes complex, sometimes flat, and uneven in the settings – like a mashup of the villages of Midsummer Murders, “Hogwarts” in Harry Potter and the house of the “Pied Piper” team in the TV series Silicon Valley. This novel is on the shortlist for the 2017 Hugo Awards which will be handed out at Worldcon 75 in Helsinki, Finland, in August 2017. In preparation for attending the event I am working through the shortlisted works to rank them. So this was No. 2. Continue reading
The reboot of the TV series Twin Peaks, Twin Peaks: The Return premiered on the 21st of May, to a huge response from fans. What was interesting is how they responded, criticizing the producers if any of the characters deviated from their previous incarnations by so much as a word or gesture. They were commenting as if the people of “Twin Peaks”, “Detective Dale Cooper”, “The Log Lady”, “Laura Palmer”, etc., were real. What interests me, is why we identify with fictional characters and think they are real – or want to believe they are real. There has to be a psychological or neurological basis for this. In the linked pages of this post I discuss one reason at a time, from our ability to fantasize to the way our brains work. Continue reading
This novel is on the shortlist for the 2017 Hugo Awards which will be handed out at Worldcon 75 in Helsinki, Finland, in August 2017. I hope to be amongst the attendees at the conference, which is the oldest and biggest in the world for Science Fiction (SF). In preparation for that I am working through the shortlisted works in the categories of novels, novelettes, novellas and short stories. Reading the nominated novels has been an adventure so far since I do not know any of the authors, other than China Miéville. The first novel I tackled, A Closed and Common Orbit, by Becky Chambers, has been like a breath of fresh air. It seemed different from the established and well-regarded types of classical SF writing. It did one thing I have never experienced when reading a SF novel: it brought a lump to my throat. I almost cried. I actually, for once, felt for the characters. That is quite an achievement, considering that the characters are all AI machines, re-engineered humans or species of non-human sapient life forms. Continue reading
In the previous post I discussed Ūgh and Bõögâr, the creations of Berlin-based Icelandic artist Egill Sæbjörnsson. The two trolls are huge, ugly, temperamental, artistic, and very fond of Egill, coffee, and eating tourists. They are also smelly. At 36 metres tall, they need a lot of deodorant and perfume. In the interests of cleaning up the trolls before they stink out all the tourists whom they haven’t eaten at the Venice Biennale 2017, the trolls are getting their own perfume called Noise. Continue reading